Enter the Anamorphic World with the INSANELY COMPACT Nanomorph!
Experience the captivating world of anamorphic cinematography with our affordable, compact, and versatile Nanomorph lenses. You can now shoot Hollywood cinema-grade movies and embark on a specular cinematic journey.
©Kristoffer Davidson - 65mm T2.4 1.5X (Silver)
©James Matthews - 80mm T2.4 1.5X (Silver)
Patented Anamorphic Design
Revolutionary patented anamorphic design, meticulously crafted to deliver exceptional lens quality while prioritizing lightweight construction and maintaining a consistent squeeze. No anamorphic mumps are caused thanks to this unique anamorphic design, and the lenses are fully usable in professional shootings with consistent anamorphic characteristics.
©Eros D' Antona - 65mm T2.4 1.5X (Silver)
Super35+ Coverage
Suitable for cameras with Super35+ or Micro Four Thirds sensors, and it also enables Full Frame cameras to work with minimal vignetting.
©Victor Laforteza
©Laik Knows - 65mm T2.4 1.5X (Silver)
Cinematic Flare Colors
We are now offering 3 flare color options, elegant amber, classic sci-fi blue and neutral flare for DPs to adapt to different scenes in your movies.
Silver flare offers the unique capability to adapt the color of flare in response to both the light source's color and intensity.
Flattering Oval Bokeh
Our Nanomorph 65mm & 80mm can beautifully render a stretched oval bokeh effect, adding a distinctive artistic touch to every movie you shoot with regards to a 1.5x squeeze ratio.
With a maximum aperture of T2.4 and due to their telephoto nature, the 65mm & 80mm effortlessly achieve dreamy depth of field and offer a seamless organic focus roll-off.
©Michal Palikot - 65mm T2.4 1.5X (Silver)
©Mellow0807 - 80mm T2.4 1.5X (Blue)
Cinematic Widescreen Ratio
Our Nanomorph 65mm & 80mm lenses feature a consistent 1.5X squeeze ratio, making them the ideal companions for 16:9 sensors, which are widely prevalent in the market. In comparison to 1.33X anamorphic lenses available, our Nanomorph lenses provide a significantly more pronounced anamorphic and cinematic aesthetic.
It's important to note that opting for a 1.8X or 2X squeeze ratio would result in considerable lens size increase and wastage of image when paired with a 16:9 sensor.
Why Anamorphics and Not Spherical Lenses?
Because it is cinematic! Everything you shoot can now be cinematic with a golden aspect widescreen ratio of 2.4:1.
While spherical lenses can provide a more realistic texture to your movies, it is still undeniable that anamorphic lenses can make them more visually intriguing and engaging due to the distortion, oval bokeh and flare. The extra space of view also reveals additional details and information about the scene.
Short Focusing Distance
Short focusing distance of 2'3"/70cm on both the 65mm and 80mm lenses, enables you to effortlessly capture dramatic close-up shots and shoot in tight spaces without any limitations. Whether you're seeking stunning detail or working in confined quarters, these lenses deliver exceptional performance to meet your creative needs.
Telephoto Compression
When it comes to shooting close/distant objects, the 65mm and 80mm lenses excel by compressing the sense of depth within a scene. More distant objects are now brought closer and covering a larger percentage of the frame.
©Laik Knows - 65mm T2.4 1.5X (Silver)
©Somnang Vann - 65mm T2.4 1.5X (Silver)
The 65mm and 80mm T2.4 Nanomorph are undoubtedly enhancing the versatility of the Nanomorph anamorphic series and providing cinematographers with the ability to capture captivating close-up shots. These telephoto focal lengths offer significant advantages for close-up photography, allowing for enhanced depth of field and stunning bokeh effects.
Various Mounts Available
For Mirrorless version, Canon RF, Sony E, M43, DJI DL, Nikon Z, L mount and Fuji X mount are also available and interchangeable.
For PL/EF version, both PL & EF mounts are included in the box and the mounts are interchangeable.
Professional Cine Housing
COMPLETE Series for Professional Cine Work
The Nanomorph Series is now a complete offering to meet all your shooting requirements. With five focal lengths at your disposal and covering wide to close-up shots, you gain the full capabilities for supporting any cinematic production.
