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Categories
- Mirrorless-designed macro lens
- 40.9° angle of view
- Weight: 595g
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This new 58mm lens is capable of focusing from 2X magnification to infinity. Giving you more flexibility in subject selection. From tiny ant to larger dragonfly, you can capture it in one single lens. More details of the objects can be captured at 2X magnification.
You can now take ultra macro shots with great details, or capture a little bit more with the surroundings. With a simple twist!
Being able to focus infinity, the 58mm focal length (40.9° AoV) pair with the f/2.8 aperture give the lens more usage than just a macro lens. You can also use it for portrait, product photography or use as walk-around lens.
© Wes Perry
© Wes Perry
© Wes Perry
© Richard Wong
The lens is engineered to suppress both longitudinal and lateral chromatic aberration across in-focus & out-of-focus areas. Purple fringing and ghosting are controlled to the minimum throughout the aperture range. The APO design greatly reduces your post-editing time substantially especially in macro photography.
© Alberto Ghizzi Panizza
Specially designed for mirrorless system, the lens packed 3 ED elements and 3 Ultra-High Refractive Index elements. With a shorter flange distance, it is not only improving the image sharpness but also makes the lens more compact. It brings you a whole new macro shooting experience.
© Jimmy Chan
© Bei Di Shan
The 58mm would give a greater depth of field relative to other longer focal length lenses. You can get more in-focus area of your subject under the same aperture. This gives you more control when creating unique visual narratives.
© Jimmy Chan
The lens is assembled with 13 aperture blades, which is able to create stunning and pleasant bokeh.
© Alberto Ghizzi Panizza
© Alberto Ghizzi Panizza
© Alberto Ghizzi Panizza
© Bei Di Shan
The lens weighs only 595g with the dimensions of Ø74 x 117mm, making it much smaller than other main-stream option in the market. You can carry it around without burden.
The internal focusing design avoids collision of the lens and your subject. It also reduces the chance for dust particles getting into the lens.
© Alberto Ghizzi Panizza
© Wes Perry
© Jimmy Chan
© Richard Wong
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